
Directing
Nathan Hill
Born
1983-06-04 (43)
Known for
Directing
Credits
11 titles
Nathan Hill (they/them) is a musician and multimedia artist working in analog video, 16mm film, video installation, and sculpture.
Known for
NRCruising in a graveyard, queers roam the permeable boundaries between exile and ecstasy.
Leather Graves
2025
1.0An epic anthology feature film event combining 25 shorts from different queer directors worldwide, each telling a story based on a color/fetish of the infamous hanky code.
Hanky Code: The Movie
2015
NRCaught in a system of confinement, surveillance, and restriction, a leather outlaw eludes the state by recalling his lover bathed in Vaseline.
Vaseline
2016
NRWhile film formats and identity labels have shifted over time, "Puce Praxis" shows how queer desire and gender identity have always been nuanced and elastic. This experimental video combines an original, welded pink metal chain sculpture with archival footage from 1991. The original source is from an education video for therapists on S&M, titled "Safe, Sane, Consensual SM."
Puce Praxis
2025
NRIn psychoanalytic theory, a dream of a fallen tooth represents fears of castration. In Magnetic Resonance, a cicada falls to its death and New Wave musician Marc Almond falls to the feet of Clint Ruin; a tooth stands in for a brain tumor and the naked legs of the filmmakers on a sheet-less mattress stand in for Almond and Ruin’s performance on stage. "Castrated" bodies become conduits of attraction.
Magnetic Resonance
2016
NRIndividual film frames document cycles of destruction, resilience, and transformation within the Bay Area. Shots include the abandoned Parkway Theater in Oakland, closed in 2009; filmmaker Mary Helena Clark in her Berkeley studio; the Black Hole Cinematheque in Oakland, founded by Tooth; historical images of the 1906 San Francisco fire; pool tides in the remaining structure of the Sutro Baths, first built in 1896 and knocked down by arson in 1966; and the dormant Woodminster amphitheater, built in the late 1930’s under Roosevelt’s New Deal project.
Towards the Death of Cinema
2014
Film credits
2020s · 1 titles
Behind the camera
1.0An epic anthology feature film event combining 25 shorts from different queer directors worldwide, each telling a story based on a color/fetish of the infamous hanky code.
Hanky Code: The Movie
2015
NRCaught in a system of confinement, surveillance, and restriction, a leather outlaw eludes the state by recalling his lover bathed in Vaseline.
Vaseline
2016
NRCaught in a system of confinement, surveillance, and restriction, a leather outlaw eludes the state by recalling his lover bathed in Vaseline.
Vaseline
2016
NRWhile film formats and identity labels have shifted over time, "Puce Praxis" shows how queer desire and gender identity have always been nuanced and elastic. This experimental video combines an original, welded pink metal chain sculpture with archival footage from 1991. The original source is from an education video for therapists on S&M, titled "Safe, Sane, Consensual SM."
Puce Praxis
2025
NRWhile film formats and identity labels have shifted over time, "Puce Praxis" shows how queer desire and gender identity have always been nuanced and elastic. This experimental video combines an original, welded pink metal chain sculpture with archival footage from 1991. The original source is from an education video for therapists on S&M, titled "Safe, Sane, Consensual SM."
Puce Praxis
2025
NRIn psychoanalytic theory, a dream of a fallen tooth represents fears of castration. In Magnetic Resonance, a cicada falls to its death and New Wave musician Marc Almond falls to the feet of Clint Ruin; a tooth stands in for a brain tumor and the naked legs of the filmmakers on a sheet-less mattress stand in for Almond and Ruin’s performance on stage. "Castrated" bodies become conduits of attraction.
Magnetic Resonance
2016
NRIn psychoanalytic theory, a dream of a fallen tooth represents fears of castration. In Magnetic Resonance, a cicada falls to its death and New Wave musician Marc Almond falls to the feet of Clint Ruin; a tooth stands in for a brain tumor and the naked legs of the filmmakers on a sheet-less mattress stand in for Almond and Ruin’s performance on stage. "Castrated" bodies become conduits of attraction.
Magnetic Resonance
2016
NRIndividual film frames document cycles of destruction, resilience, and transformation within the Bay Area. Shots include the abandoned Parkway Theater in Oakland, closed in 2009; filmmaker Mary Helena Clark in her Berkeley studio; the Black Hole Cinematheque in Oakland, founded by Tooth; historical images of the 1906 San Francisco fire; pool tides in the remaining structure of the Sutro Baths, first built in 1896 and knocked down by arson in 1966; and the dormant Woodminster amphitheater, built in the late 1930’s under Roosevelt’s New Deal project.
Towards the Death of Cinema
2014

