Juan Ignacio Sabatini

Chile, 1973. The military coup will force Jorge Silva, an Air Force captain, to face the unfolding horror. Inside a military base, he must choose between becoming part of the repression or helping those fighting to stay alive.

In 1989 Brazil, during a World Cup qualifier between Chile and Brazil, Chilean goalkeeper Roberto Rojas stages an injury during the match at the Maracanã Stadium.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

Documentary film about soccer and the passion it unleashes in a country qualifying for a world cup. During eight years of following the Chilean national team, the features and nuances that make up our society are reflected in both defeat and victory, trying to answer what mystery this sport has that makes it the most popular in the world.

Renunciation, search and a constant questioning of his own roots marked the genesis of the artistic personality of Juan Downey (1940-1993), a pioneer in the use of video in the service of art. This film proposes an encounter with his life and work, through the stories of his closest collaborators and the artist himself.

Chile, 1973. The military coup will force Jorge Silva, an Air Force captain, to face the unfolding horror. Inside a military base, he must choose between becoming part of the repression or helping those fighting to stay alive.

In 1989 Brazil, during a World Cup qualifier between Chile and Brazil, Chilean goalkeeper Roberto Rojas stages an injury during the match at the Maracanã Stadium.

In 1989 Brazil, during a World Cup qualifier between Chile and Brazil, Chilean goalkeeper Roberto Rojas stages an injury during the match at the Maracanã Stadium.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

Documentary film about soccer and the passion it unleashes in a country qualifying for a world cup. During eight years of following the Chilean national team, the features and nuances that make up our society are reflected in both defeat and victory, trying to answer what mystery this sport has that makes it the most popular in the world.

Renunciation, search and a constant questioning of his own roots marked the genesis of the artistic personality of Juan Downey (1940-1993), a pioneer in the use of video in the service of art. This film proposes an encounter with his life and work, through the stories of his closest collaborators and the artist himself.

Renunciation, search and a constant questioning of his own roots marked the genesis of the artistic personality of Juan Downey (1940-1993), a pioneer in the use of video in the service of art. This film proposes an encounter with his life and work, through the stories of his closest collaborators and the artist himself.