
Directing
Juan Forch
Born 1948-01-01 · Santiago de Chile, Chile
The Chilean director, author and photographer Juan Forch was born in Santiago, Chile, in 1948. He studied journalism at the Universidad de Chile. While still a student, he worked as a photojournalist for Ramona magazine and joined the ChileFilms company as a scriptwriter and director for short documentaries. In 1972, he also co-wrote with Lucho Abarca the well-known study, Viaje por la juventud (A Journey through Youth, Quimantú publishing house), about the subculture youth scene in Chile. After the military coup in Chile in 1973 and a short detention, he immigrated to East Germany via Mexico. After working at the camera manufacturer, Dresden Pentacon, he joined the DEFA Studio for Animation Films in Dresden and learned the craft of animation. Between 1975 and 1978, Forch made several animation and documentary films drawing on his Chilean background and his artistic and political experiences in exile. The photo collages Chile lebt (1976) and Keiner kann die Revolution aufhalten (1976), the latter in collaboration with media artist Lutz Dammbeck, proclaim a hope for victory of progressive forces over the Pinochet dictatorship. The collage Chile (1975) by Forch and Jörg Herrmann reveals the USA as the backer of the military coup in Chile on September 11, 1973. The trick collage Hitlerpinochet (1975) by Forch and Herrmann draws similarities between political slogans used by Adolf Hitler and Augusto Pinochet. In 1976, Forch and Rolf Hofmann, filmed Chilean students in Dresden while drawing a mural in honor of former President Salvador Allende (Brigada - Ein Beitrag zur Solidarität anläßlich der 16. Arbeiterfestspiele 1976 in Dresden). The cut-out animation film Neutronenfrieden? (1977) offers a warning against a nuclear war instigated by the USA. Forch creates a visually and colorfully powerful epic about the life of the Indigenous Mapuche community in the cut-out film Lautaro (1977), his most comprehensive work at the Dresden studio. Moreover, the animation film Rosaura (1978) by Forch and Lothar Barke atmospherically translates a poem by Juan Forch into images. In 1978, Forch returned to Chile and created short commercials. Parallel to that, he worked on Chilean and foreign documentaries about the political situation in Chile, as well as developing his own productions on the Chilean art scene in the 1980s. In 1988, he was involved in the political NO campaign that helped crumble the Pinochet regime. Director Pablo Larrain narrates the history of this campaign in his feature film NO (2012). This film was nominated for Best Foreign Language Film at the Academy Awards and screened at the prestigious Cannes Film Festival where it won the 2012 C.I.C.A.E. Award. Forch was also associate producer for the thriller Johnny cien pesos (1993, dir. Gustavo Graef Marino) that was selected as the Chilean entry for the 2013 Best Foreign Language Film at the Academy Awards. After the NO Campaign in Chile, Forch has worked as a consultant on electoral campaign issues and political communication in several Latin American countries. Since 2000, Forch has written several novels, as well as poetry and short stories. He has also had his work featured in galleries and film festivals. Juan Forch currently lives in the southern part of Chile.
Acting credits
A female television journalist has a strange affair with a terrorist.
Mi último hombre
1996
7.0Gáspar is a public employee and Rebeca works in a funeral home,they reflect the discontent of a generation that has suffered the vicissitudes of Chile in the 1980s. Through it, the film explores how the working middle class survives such a convulsive environment.
Children of the Cold War
1986
Behind the camera
NRThis short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.
Chile
1975
NRThis silhouette-animated short exposes the Pinochet government through comparisons to Hitler's Nazi regime.
Hitlerpinochet
1975
NRThis silhouette-animated short exposes the Pinochet government through comparisons to Hitler's Nazi regime.
Hitlerpinochet
1975
NRThe Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.
Lautaro
1978
NRThe Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.
Lautaro
1978
NRThis short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.
Chile Lives
1976
NRCombining collage animation and live action, this short depicts the achievements of the Chilean people under the Allende government and the subsequent reversal of this progress following the military coup. The collages were created by East German media artist Lutz Dammbeck; the Chilean artists Juan Forch and Vivienne Barry did the animation.
Nobody Can Stop the Revolution
1976
NRPlaying children are hit by the neutron bomb. Their clothes remain behind which a business man collects and puts up for sale.
Neutronenfrieden?
1978
NRDuring the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
La Brigada – A Mural for the Unidad Popular in Dresden
1976