Michael Scroggins

Tish Gray had a baby and gave it up for adoption. She is contacted by a second childless couple who want her to have the husband's baby because of the wife's inability to have children. She accepts but finds that knowing the parents, and developing a relationship with them for the entire pregnancy complicates the simple arrangement.

Easy Skanking In Boston 78' consists of intimate footage captured by a fan that Marley allowed to sit right at the front of the stage during one of his sets. The result is impeccable, rare footage of Bob Marley performing . In addition, to the raw footage, animation by Craig Bernard and Sara Mora Ivicevich has been included for smooth transitions and a modern touch, since (during that time) the cinematographer was shooting with film and needed to change rolls during the performance.

Through diary entries and archival footage, the life of an industrial waste-dumper unfolds from youthful ambition to ecological disaster.

Consists of a fragment from an off the air recording an interview with President Richard Nixon that is looped by a very physical rewinding, forwarding , and rewinding via the control knob of a ½ inch video tape player.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking.

This is the second of two collaborations between Michael Scroggins and Barry Schrader in the late 1980s.

Easy Skanking In Boston 78' consists of intimate footage captured by a fan that Marley allowed to sit right at the front of the stage during one of his sets. The result is impeccable, rare footage of Bob Marley performing . In addition, to the raw footage, animation by Craig Bernard and Sara Mora Ivicevich has been included for smooth transitions and a modern touch, since (during that time) the cinematographer was shooting with film and needed to change rolls during the performance.

Consists of a fragment from an off the air recording an interview with President Richard Nixon that is looped by a very physical rewinding, forwarding , and rewinding via the control knob of a ½ inch video tape player.

This is the second of two collaborations between Michael Scroggins and Barry Schrader in the late 1980s.