Nina Nayebi

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.

Mahsa, a transgender Iranian woman, agrees to meet her partner's family, hoping for their blessing and acceptance against all odds.

The complex power of the hijab, and how a seemingly simple piece of cloth embodies both what the wearer imbues it with and what society project onto to it, through the lens of two different young women.

Tucker and Hamid are going to be grandfathers for the first time, but only if they can come together long enough to save their first-born grandchild.

Cultures clash and families collide when an Iranian woman finds love with an eccentric bisexual artist.

Mary traces the lives of a woman caught in a scandal of adultery, another rejected and ignored because of her promiscuity, a third shunned because of a shameful condition, and a widow cast out from society, mourning the loss of her only son.

Directed by Shahin Ravery, "In Dream of America" had an Oscar-qualifying run at the Vine Theater in Hollywood from November 4, 1994 through December 8, 1994. It was among the 249 feature films eligible for Academy Award consideration during 1994.

A young mother discovers a homeless woman is nesting in her house.

A Muslim American teenager struggles to reconcile desire with family obligations.

A Humvee patrol finds humanity in a war zone, while coping with the aftermath of an IED attack.

A groundbreaking feature film, both in style and content. A riveting live action story is presented in a new animation style that helps illustrate how moral lines can be blurred by necessity. A young female reporter returns to Iran to care for her ailing mother, but is soon drawn into reporting on a forbidden subject - the women and girls who prostitute themselves in sham 'temporary marriages.' Arrested, imprisoned, and beaten by officials who demand that she confess to her 'sins' (of trying to tell the truth), Roxana realizes that the only way to survive is to seduce her interrogator in prison. Amir falls in love with her, and against all odds, gets her released from prison, an act that helps her escape the country at the expense of his own demise

Three women struggle in their social and cultural environments and face unforeseeable crises. Based on true events.

An Iranian mother must decide whether to end or spare the life of her son's killer.