Sophie Vuković

She is on the way out of the house when she sees an envelope. Jamila’s family has received a rejection of their asylum application. She acts as if she doesn’t see it, takes her younger sister to school, and meets up with her friends. But everywhere she turns she sees them – the police.

Tracing her ancestry through her parents’ migration from Eastern to Northern Europe via Australia, we are brought into the home and world of a family both 'moving and tethered. Through a diverse mix of film styles, the director combines the personal and the political through a gentle first-person narration. Relating the experience of globalised and marginalised identities the world over, Shapeshifters beautifully portrays the yearning for a fixed and stable identity, while wholeheartedly embracing the internationalist spirit that transcends the borders implicit in such an identity. Always on the cusp of two or more cultures, Vuković examines the lasting effects of one generation’s choice to migrate on the next.

A climate-fiction that weaves together a queer love story with the processes of mourning a landscape altered by climate change.

After Damir donates his sperm for Sara’s solo parenting journey, the two best friends travel to his family’s wedding in Croatia, where the strain on their secret arrangement challenges their friendship and forces them to reassess their own notions on family.

67 year old Ingrid has decided to deal with cancer on her own. She retreats from the outside world and it retreats from her - apart from sporadic visits from the home care services. But then home care employee Frida knocks on her door and awakens feelings that Ingrid can't shut out.

She is on the way out of the house when she sees an envelope. Jamila’s family has received a rejection of their asylum application. She acts as if she doesn’t see it, takes her younger sister to school, and meets up with her friends. But everywhere she turns she sees them – the police.

She is on the way out of the house when she sees an envelope. Jamila’s family has received a rejection of their asylum application. She acts as if she doesn’t see it, takes her younger sister to school, and meets up with her friends. But everywhere she turns she sees them – the police.

Tracing her ancestry through her parents’ migration from Eastern to Northern Europe via Australia, we are brought into the home and world of a family both 'moving and tethered. Through a diverse mix of film styles, the director combines the personal and the political through a gentle first-person narration. Relating the experience of globalised and marginalised identities the world over, Shapeshifters beautifully portrays the yearning for a fixed and stable identity, while wholeheartedly embracing the internationalist spirit that transcends the borders implicit in such an identity. Always on the cusp of two or more cultures, Vuković examines the lasting effects of one generation’s choice to migrate on the next.

Tracing her ancestry through her parents’ migration from Eastern to Northern Europe via Australia, we are brought into the home and world of a family both 'moving and tethered. Through a diverse mix of film styles, the director combines the personal and the political through a gentle first-person narration. Relating the experience of globalised and marginalised identities the world over, Shapeshifters beautifully portrays the yearning for a fixed and stable identity, while wholeheartedly embracing the internationalist spirit that transcends the borders implicit in such an identity. Always on the cusp of two or more cultures, Vuković examines the lasting effects of one generation’s choice to migrate on the next.

A climate-fiction that weaves together a queer love story with the processes of mourning a landscape altered by climate change.

After Damir donates his sperm for Sara’s solo parenting journey, the two best friends travel to his family’s wedding in Croatia, where the strain on their secret arrangement challenges their friendship and forces them to reassess their own notions on family.

After Damir donates his sperm for Sara’s solo parenting journey, the two best friends travel to his family’s wedding in Croatia, where the strain on their secret arrangement challenges their friendship and forces them to reassess their own notions on family.

67 year old Ingrid has decided to deal with cancer on her own. She retreats from the outside world and it retreats from her - apart from sporadic visits from the home care services. But then home care employee Frida knocks on her door and awakens feelings that Ingrid can't shut out.