Margit Carstensen

A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.

Ariane and Gerhard Christ, a wealthy Munich couple, plan for the weekend on separate trips, lying to the other about their trysts. However, their itineraries are complicated when they both arrive at the family's country home with their respective lovers.

Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.

A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dimwitted brother, and a murder investigation.

People meet and chat at Ridolfo's Coffeehouse; the conversations are mostly about money, but also about feelings, ideals, friendship, love, fidelity and respectability.

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.

A wildly anarchic satire of guerrilla terrorism in which a band of leftist radicals inadvertently become puppets of the West German government, which uses them to justify its authoritarian policies.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

A documentary about the life of Karlheinz Böhm from his film career to his charity activities in Ethiopia.

A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.

In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy. At the war's end, a ray of sunshine comes from an unexpected place.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

To find a bone marrow donor for himself, fashion designer Jesko visits his upper-class family in southwest Germany where he has to confront mental illness and long-held grudges.

After the death of her abusive father, lonely librarian Martha finds herself caught up in a strange, sadomasochistic relationship with a monstrous husband whom she begins to suspect may be trying to murder her.

The Second World War is over and now begins in post-war Germany, the reconstruction. Jakob Formann sees his chance here and begins a rapid rise as an entrepreneur.

Paul, a man suffering from cerebral palsy, lives an unfulfilled life in a nursing home. Sitting in his wheelchair, he fantasizes about a life in which people understand him, women find him irresistible, and he is be a force to be reckoned with. He places this imagined self in four different sexual fantasies, each with a different woman.

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

On 30 April 1945, dictator Adolf Hitler, his wife Eva Braun, and prominent members of the Third Reich live out their final hour in the Führerbunker.

Full of anticipation, ten-year-old Emma goes on vacation to her grandma Dolly in the country. Once there, however, the girl learns that old Klipperbusch has died - and his money-hungry nephew Albert is already in the process of converting the inherited estate for profit. And anything he can't use for this is thrown out without further ado. At least Emma manages to save Klipperbusch's beloved mare Mississippi from the slaughterhouse at the last minute: she persuades her grandmother to buy the horse from Albert. Emma is now a proud horse owner. She is all the more surprised when Albert turns up at her door one day and desperately wants Mississippi back. It's clear to Emma and her friends that this guy can't be up to no good...

After having her second child, a German housewife suffers from postpartum depression before inexplicably falling into a continually misdiagnosed mental state, befuddling her relatives.

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.