Tim Samuels

The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.

Dzerzhinsk, a Russian city 240 miles east of Moscow, is considered the most chemically polluted town on Earth. Factories producing industrial chemicals (and in Soviet times, chemical weapons) employ a quarter of the 300,000 residents in a city where life expectancy has fallen to 42-47 years, the death rate is 2.6 times higher than the birth rate, and the men are close to impotence. Reporter Tim Samuels recorded a series of in-depth interviews with the inhabitants of Dzerzhinsk for the Correspondent strand, revealing what life is like for the beleaguered populace.

Othello is the greatest general of his age. A fearsome warrior, loving husband and revered defender of Venice against its enemies. But he is also an outsider whose victories have created enemies of his own, men driven by prejudice and jealousy to destroy him. As they plot in the shadows, Othello realises too late that the greatest danger lies not in the hatred of others, but his own fragile and destructive pride.

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

It’s a dark, stormy night. The stars are out. Jim, the inn-keeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in – and her dangerous voyage begins. Robert Louis Stevenson’s story of murder, money and mutiny is brought to life on the Olivier stage in a thrilling new adaptation by Bryony Lavery.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

The story of Jesus in virtual reality