Ljiljana Cincar-Danilović

Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.

The plot follows two elderly convicts who return home after serving a multi-year sentence and face the challenges of life at large.

Convinced that his subtenant is a spy and an enemy of the state, Ilija Čvorović falls into deep paranoia which leads to an absurd and destructive chain of events.

Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

In a seemingly simple text, Brana Crncevic communicates the bitter, sad, common human truths. His Oto and Moto in two forms aren’t just incarnation but display of human relations. There is no dilemma that we are selfish, but we do not admit it, and we believe that others don’t realize or notice it.

A confused young man seems like he's eternally waiting for something, but he never really lives up to see it.