Hiroshi Inoue

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George Mihara was ordered by his grandfather Tom to go to Japan. The purpose was to deliver a $100,000 check to Matsuyama, a Japanese soldier who had helped Tom around the time of World War I, and to perform some act of kindness in Japan using $300 pocket money. This was to test whether George was a suitable boy to inherit Tom's YES Ranch.

Toho comedy shot in Tohoscope featuring performances from the Peanuts and the Crazy Cats. Original released alongside another Toho comedy, King Kong vs. Godzilla.

A song-based action drama featuring hit songs by Hiroshi Inoue about a daughter who cries over an innocent crime and a young man who bravely stands up for the truth to help her.

A musical about the escapades of some tanuki passing themselves off as humans in human society.

In turbulent 16th-century Japan, the leaders of a minor fief have their child taken from them as a political hostage. His mother and his clan endure years of tribulations until he can return.

A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent feature—long thought lost until a negative was recently discovered—about a group of idle bourgeois students known as the “Roppongi Tribe” (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (“Sun Tribe”) films and the New Wave at large.