Mauricio Reyes Serrano

Katalina, Daniela and Máximo live together as a family. Their life changes after the birth of Luciana, Daniela and Máximo's daughter. On the one hand, Katalina decides to look for a new space to live alone, and on the other hand, Daniela and Máximo reflect on what it means to have a family.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

Katalina, Daniela and Máximo live together as a family. Their life changes after the birth of Luciana, Daniela and Máximo's daughter. On the one hand, Katalina decides to look for a new space to live alone, and on the other hand, Daniela and Máximo reflect on what it means to have a family.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.