Tereza Němcová

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The central character of the romantic comedy Casting for Love is Stela Nebeská, an unsuccessful actress who, approaching forty, realizes that she is unlikely to make it big. She loses her job at the theater, where she only played minor roles anyway. Her career failure is followed by personal failure - her husband starts cheating on her and doesn't even try to hide it. But Stela is not willing to accept defeat and is determined not to give up without a fight. She vows that, come what may, she will find someone who will make her husband green with envy. So she launches a grand audition for a new love. She starts dating, but every date is with an eccentric and unsuitable suitor, and every date ends in disaster. Will Stela finally find the right one? Or have all the decent men died out?

The main characters start their dream jobs and their lives finally take the right direction. Or is it not quite the walk in the park they imagined? Eva is the only woman to get a job at the best advertising agency in the country, but she has no idea that she will be working under a sexist boss. Vítek, on the other hand, has finally decided to open his own hypnotherapy practice after many years, but he encounters misunderstanding from those around him, who have no idea what to expect from hypnotherapy. Everything changes when Eva receives an advertising assignment with a single goal: to make the client fall in love with her.

A classic comedy about long-planned courtship and the fear of getting married once and for all performed by actors from Prague's Divadlo Na Jezerce theater.

A man leaves his busy city life for the peace of the country home where he spent his early childhood. His new life is soon disturbed by strange events.

The story of the first romantic love of a 13-year-old student.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.