Katherine Pickard

A young woman flees Kentucky to the last Babylon, New York City, where she is befriended by James Steele, a benevolent fiend who names her Bella and introduces her to the other side of life as a dominatrix in a religious brothel run by La Bruja.

A young filmmaker named Domino travels from the UK to New York City to hunt down funding for her new film. Harkening back to classic counter-cultural Big Apple films of the 70s and 80s, Keep Looking has a loose, jazzy feel that gives this simple narrative a hip freshness.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

New York’s Miguel Abreu Gallery is at the center of Bingham Bryant’s short, which follows Adrian Dannatt across his eponymous exhibit while observing works from, among others, Pablo Picasso, Guy Debord, Nan Goldin, Damien Hirst, and Duncan Hannah. Each is captured by cinematographer Sean Price Williams in appropriately textured images while a studious, amusing voice-over jumps between biography and philosophy.