Ricardo Ribeiro

A robbery at a gas station turns into a hostage situation.

A documentary project that aims to capture the uncapturable. Explain what cannot be explained. How does one decipher fado? How is it conceived? They say one is born a fado singer, but how do you define what one feels? Does it emanate from within? Many Eastern masters believe that knowledge can only be gained in person. Could it be that through technology we can capture the timeless presence of a master and feel their knowledge? This is a documentary that tries to explain what fado is, to those who know it and those who don't, from the inner point of view of the 'maker' of fado. From the composer to the guitarist, including those who sing it and those who study it. And so, through these testimonies, we can explain the invisible. The inner side of Fado.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

A man suffers from amnesia after an accident.

A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.

A bizarre and tragic ballad of an impossible love between a nameless topographer and Leonor in a swamp soon to be destroyed by the forces of Man. She (Teresa Salgueiro, ethereal voice of Madredeus) is the “swamp-flower”, protégée of a Socratic Director (and his goat Plato). In a world without women, she is kept safe from the temptations of the flesh by her strict and grotesque Aunt. The sound-track entirely played by the workers (fado and bossa nova singers) reveals parallel narratives of suspicion and conspiracy that unfold to the pace of the unconscious leading to a confrontation between Man and River. Inspired by a hypnotic story by Branquinho da Fonseca (1905-1974).