Jagath Manuwarna Kodithuwakku

After getting in a car accident, a pregnant woman discovers a deadly secret about her life that begins to destroy everything and everyone she loves until she decides to escape her present and journey out digging deep hoping to find answers

In the 1970s, in the Gampaha district, Desmond Gunasekara , a deeply religious young man from a very ordinary family, accidentally clashes with a crime gang led by a man named Gnane operating in the area.

In a dilapidated rural courthouse a mother seeks justice for her son abducted by paramilitary men during the 1988/89 insurgency in Sri Lanka

The film revolves around the time of King Dhatusena and the way he constructed Kala Wewa. It depicts the chronicles related to the tank and formation of new deity Kadawara.

A film that touches Life, Death and Expectations.One Person’s death fans the flame of expectations in another. the life that begins with that expectation ultimately ends in death. Loneliness, loss of social contacts and deceit are the underlying human conditions of the film.

Some are called heroes, some villains. Histories get buried and the dead are resurrected. Sometimes a thread of humanity gets drawn from blurred stories. It could clothe the world one day or stitch together a fallen flag.

A virus is spreading across Sri Lanka, reportedly causing young people to commit suicide. The Disease Control Unit promises containment of this terrifying pandemic by any means necessary, citing supernatural forces that only ancient healing rituals can vanquish. As parents mourn the deaths and disappearances of their children, government henchmen prepare the bodies and the remaining living prisoners for a cleansing of disturbing proportions.

Dinithi tries very hard to communicate with her husband, but he ignores her presence relentlessly. The harder she tries to reach him, the deeper his silence becomes. Their 8 year old daughter watches them. Her parents try to get involved but receive the same silent treatment from him.

Piyal (Jagath) is a youth who dedicates his time to drama, living alone. He suffers from a feeling of guilty for not saving his mother from death. On the other side of the walls of his place, lives a couple: Amanda (Michelle) and Nadee (Nadeeka). Nadee, is Amanda's inattentive lover tells her to abort her child on both times she was to become pregnant. Amanda also suffers from cancer. Piyal feels curious about Amanda who is older than him and later on it turns into a sexual attraction. However it turns into empathy. As a result, Piyal starts to take care and treat Nadee as her mother to get away from his guilty feeling about his mother's death. Meanwhile, Nadee appears to embrace the guilty feeling that he did not care for his girl friend. Concentrating on the dualities of life, the movie takes the viewer through emotional turbulence.

A virus is spreading across Sri Lanka, reportedly causing young people to commit suicide. The Disease Control Unit promises containment of this terrifying pandemic by any means necessary, citing supernatural forces that only ancient healing rituals can vanquish. As parents mourn the deaths and disappearances of their children, government henchmen prepare the bodies and the remaining living prisoners for a cleansing of disturbing proportions.