Petra Hopman

In this debut comedy by director Erik Terpstra, an ordinary middle-class gentleman picks up a colorful but degenerate and no-good beatnik/hippie hitchhiker and inexplicably invites him home to meet the wife and kids. The resulting conflicts between the hitchhiker, who respects no rules or boundaries, and the family, provide the substance for most of the humor in this sincere but not especially well-thought-out film. Reviewers who saw the film at the 1967 Mannheim Film Festival expressed the opinion that it was an unformed work by a promising talent.

After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.