Mathilde Henzelin

Nadia raised, alone, her son Noé in Paris suburbs. She is proud when he is accepted in second in the prestigious high school Henri IV. To promote her studies, she moved to Paris and went into debt to offer what others have. She discovers the pleasure of buying, unknowingly developing an addiction to consumption. Even as her son manages to adapt to his new high school, she can not stop.

After years of exile, Remo, an orphan, returns to his childhood village in the Balkans. He must help his adoptive cousin, Una, with the exhumation of a mass grave that contains most of their family members buried there during the war. But the bodies reveal family secrets that will make Remo and Una question their past and their future. A film about the possibility of truth in a place that only knows survival.

Nadia raised, alone, her son Noé in Paris suburbs. She is proud when he is accepted in second in the prestigious high school Henri IV. To promote her studies, she moved to Paris and went into debt to offer what others have. She discovers the pleasure of buying, unknowingly developing an addiction to consumption. Even as her son manages to adapt to his new high school, she can not stop.

After years of exile, Remo, an orphan, returns to his childhood village in the Balkans. He must help his adoptive cousin, Una, with the exhumation of a mass grave that contains most of their family members buried there during the war. But the bodies reveal family secrets that will make Remo and Una question their past and their future. A film about the possibility of truth in a place that only knows survival.