Rossella Dassu

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.

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Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.

Three young women at home, the eye of the camera doesn't leave them for a moment and shows them first in a narrow kitchen, then in a small bathroom in front of a mirror, then in a bare living room where they spend part of the evening. The three are the mistress of the house and her servants, and the film is based on Les Bonnes by Genet. The servants pretend to unite to varying degrees against their mistress, and she, in turn, pretends to be a mistress who doesn't give explicit orders but who makes herself admired anyway. Each one of them plays the part that is most congenial to her.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

A film about various forms of migration: those of place, time, body and identity.

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.