Serge Gagné

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

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Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

Everyone is looking for happiness. And when you're almost 30, single, and still living at home with kooky parents who treat you like a ten-year-old, you're looking even harder. So there was the situation of Tanya, a brand new real estate agent, on her way on a cold winter day to make her first big sale and her first big step on her path to independence. She is late as usual and rushing on a slippery road, she doesn't know it yet but her life is about to change forever.

A road movie whose journey intersects with and extends the events of the International Counter-Culture Meeting that took place in 1975 in Montreal. This meeting, at the heart of the film, features several important figures of the counterculture in Quebec. Throughout the film, these individuals, often through their creative endeavors, question the evolution of their society and counterculture itself.