Marie Chouinard

No synopsis available yet.

A magazine show about culture and trends and how they can shape society in unexpected ways.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

In this new work by Marie Chouinard, the company's ten dancers execute variations on the exercise of freedom. Often, the dancers appear on points: on one, two, and even four at a time. In a spectroscopy of the gesture, we also see them using different devices - crutches, rope, prostheses, horizontal bars, and harnesses - which at times liberate their movements, at others fetter it, and at still others create it.

No synopsis available yet.

A magazine show about culture and trends and how they can shape society in unexpected ways.

In this new work by Marie Chouinard, the company's ten dancers execute variations on the exercise of freedom. Often, the dancers appear on points: on one, two, and even four at a time. In a spectroscopy of the gesture, we also see them using different devices - crutches, rope, prostheses, horizontal bars, and harnesses - which at times liberate their movements, at others fetter it, and at still others create it.

In this new work by Marie Chouinard, the company's ten dancers execute variations on the exercise of freedom. Often, the dancers appear on points: on one, two, and even four at a time. In a spectroscopy of the gesture, we also see them using different devices - crutches, rope, prostheses, horizontal bars, and harnesses - which at times liberate their movements, at others fetter it, and at still others create it.