Philipp Jedicke

Philipp Jedicke’s second feature documentary presents itself as a cineast eulogy for the Viennese pop scene as a curious and heterogeneous bunch with an extremely idiosyncratic radiance.

The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.

Philipp Jedicke’s second feature documentary presents itself as a cineast eulogy for the Viennese pop scene as a curious and heterogeneous bunch with an extremely idiosyncratic radiance.

Philipp Jedicke’s second feature documentary presents itself as a cineast eulogy for the Viennese pop scene as a curious and heterogeneous bunch with an extremely idiosyncratic radiance.

The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.

The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.