Mariana Oliva

With her radical voice, visceral improvisation, and unmistakable rasp, Elza Soares created a language all her own and crossed generations, continually reinventing herself as one of Brazil’s greatest artists. In the documentary that bears her name, Elza narrates her own story, weaving together a diary of memories, desires, and reflections through music, in dialogue with historic Brazilian films. Through Elza and her nearly century-long life, the film offers an X-ray of a country in turmoil.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

With her radical voice, visceral improvisation, and unmistakable rasp, Elza Soares created a language all her own and crossed generations, continually reinventing herself as one of Brazil’s greatest artists. In the documentary that bears her name, Elza narrates her own story, weaving together a diary of memories, desires, and reflections through music, in dialogue with historic Brazilian films. Through Elza and her nearly century-long life, the film offers an X-ray of a country in turmoil.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.