Ludwig Wüst

A man leaves a woman, a woman leaves a man. Both meet for a short while. Great changes await them at the end of this journey.

Inspired by Arthur Schnitzler’s scandalous drama Reigen and Chantal Akerman’s famous film Tout en Nuit, the viewer witnesses a modern cycle of love. The film portrays fleeting moments of happiness and disappointment: a young woman talks about her non-binary existence. We observe another woman who, after long years of marriage, finally leaves her home to embark on her first romantic adventure in a hotel room with a “blind date”. This is followed by a drunken drive home for a couple, whose nighttime outing ends in a dark landscape. To be continued!

Pilot of an episodic film of the same name, the scenes of which all take place in a shabby hourly hotel in Vienna.

No synopsis available yet.

No synopsis available yet.

A man leaves a woman, a woman leaves a man. Both meet for a short while. Great changes await them at the end of this journey.

A man leaves a woman, a woman leaves a man. Both meet for a short while. Great changes await them at the end of this journey.

A man leaves a woman, a woman leaves a man. Both meet for a short while. Great changes await them at the end of this journey.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Ludwig Wüst shows a mysterious meeting in Ostia, at the very place where Pier Paolo Pasolini was killed on November 2, 1975. A stranger tells that back then everything was different and that he is the only one that knows the real story of Pasolini's death

Ludwig Wüst shows a mysterious meeting in Ostia, at the very place where Pier Paolo Pasolini was killed on November 2, 1975. A stranger tells that back then everything was different and that he is the only one that knows the real story of Pasolini's death

Ludwig Wüst shows a mysterious meeting in Ostia, at the very place where Pier Paolo Pasolini was killed on November 2, 1975. A stranger tells that back then everything was different and that he is the only one that knows the real story of Pasolini's death

A woman travels through Egypt. Ludwig Wüst`s first film, based on a piece by author Ingeborg Bachmann.

After the death of her husband, a woman learns about his affaire.

After the death of her husband, a woman learns about his affaire.

In I AM HERE!, Wüst gave 16mm and its limitations on shooting a try, resulting in one of his most beautiful and intense works. Little happens outside childhood friends Monika and Martin talking while walking through a forest towards a barren field and a car. Their talk is simultaneously incessant and halting as they circle a history of hurt from their younger days.

In I AM HERE!, Wüst gave 16mm and its limitations on shooting a try, resulting in one of his most beautiful and intense works. Little happens outside childhood friends Monika and Martin talking while walking through a forest towards a barren field and a car. Their talk is simultaneously incessant and halting as they circle a history of hurt from their younger days.

In I AM HERE!, Wüst gave 16mm and its limitations on shooting a try, resulting in one of his most beautiful and intense works. Little happens outside childhood friends Monika and Martin talking while walking through a forest towards a barren field and a car. Their talk is simultaneously incessant and halting as they circle a history of hurt from their younger days.

A woman sets out to meet her rapist, 20 years after the crime.

A woman sets out to meet her rapist, 20 years after the crime.

A woman sets out to meet her rapist, 20 years after the crime.

ABC is a journey through twenty-five years of film work, a visual alphabet of sorts that tells of thematic diversity in the three primary colors. A tells of Ludwig Wüst’s first journey to Egypt, a country where his desire to become a filmmaker was born when these unplanned recordings were shot. B is concerned with Wüst’s major theme in life: friendship. C is a poetic condensation on the issue of human existence.

Two friends, Martin and Anthony, meet after 15 years, share memories and reflect on their present lives. During their encounter, they go deep in the past of Martin's childhood to reveal a traumatic experience.