
Directing
Adina Pintilie
Born 1980-01-12 · Bucarest, Romania
Adina Pintilie was born on January 12, 1980 in Bucharest, Romania as Adina-Elena Pintilie. She is a director and writer, known for Touch Me Not (2018), Don't Get Me Wrong (2007) and Sandpit #186 (2009). Her feature length debut film Touch Me Not was awarded the Golden Bear at the 68th Berlin International Film Festival as well as the GFWW Award for Best First Feature at the Berlinale 2018 and nominated at the European Film Award the same year.
Acting credits
Behind the camera
5.0Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
Touch Me Not
2018
5.0Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
Touch Me Not
2018
5.0Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
Touch Me Not
2018
5.7Oxygen is a free re-enactment of a real case: a man who tried to cross the Danube illegally using an oxygen cylinder, to escape the communist Romania.
Oxygen
2010
5.7Oxygen is a free re-enactment of a real case: a man who tried to cross the Danube illegally using an oxygen cylinder, to escape the communist Romania.
Oxygen
2010
Once a week, Frank visits Eva. One day, being very tired, he falls asleep in her bed.
Diary #2
2013
Once a week, Frank visits Eva. One day, being very tired, he falls asleep in her bed.
Diary #2
2013
6.0On the outskirts of an industrial city, a lonely man lives an uneventful life. One day, a stranger appears and apparently nothing changes but at the same time, nothing is the same.
Sandpit #186
2009
Paul (23) and Radu (53) are a couple in crisis. They are visited every day in their home by a small film crew. Together with the filmmaker, they go through a “deconstruction of memory” process, via procedures such as intimate video diaries, exercises inspired from family constellations, re-enactments of key memories and dreams, in an attempt to make sense of their explosive relationship.
Death and the Maiden
—
Paul (23) and Radu (53) are a couple in crisis. They are visited every day in their home by a small film crew. Together with the filmmaker, they go through a “deconstruction of memory” process, via procedures such as intimate video diaries, exercises inspired from family constellations, re-enactments of key memories and dreams, in an attempt to make sense of their explosive relationship.
Death and the Maiden
—
NRThe Resocializing Center at the Neuropsychiatry Hospital 'Alexandru Obregia' is a more or less Utopian attempt to reinstate the mentally ill back into the 'system', into society. Beyond the succes or the failure of this attempt, the emotional memory keeps the inner poetry of some personal worlds - as a way to survive in a chaotic and absurd reality - and, in the end, the relativity of the 'normality' concept.
Some kind of loneliness
2005
NRThe Resocializing Center at the Neuropsychiatry Hospital 'Alexandru Obregia' is a more or less Utopian attempt to reinstate the mentally ill back into the 'system', into society. Beyond the succes or the failure of this attempt, the emotional memory keeps the inner poetry of some personal worlds - as a way to survive in a chaotic and absurd reality - and, in the end, the relativity of the 'normality' concept.
Some kind of loneliness
2005
NRThe story of Marin Pintea (now 82), former model at the Bucharest Art Academy – a story of a very particular conception about art and about one’s own existence. Beyond this, a film about the failed ‘immortality’ attempts of each of us, about time and death
Nea Pintea... Model
2005
6.3A glimpse at the daily lives of patients in a Romanian psychiatric hospital.
Don't Get Me Wrong
2007
6.3A glimpse at the daily lives of patients in a Romanian psychiatric hospital.
Don't Get Me Wrong
2007