Yves-Marie Rollin

In this avant-garde exercise in self-reflection, director Joseph Morder reminisces about his youth in Guayaquil, Ecuador, where his Jewish parents settled after they left Poland. The heat of August in Paris brings forth memories and at the same time the adult Morder is involved in a love affair. There are no scenes from Ecuador here, and none of the images in the film are used to carry the narration; instead they vaguely illustrate what Morder happens to be saying at the moment.

A bicycle race is held every year in a pass of the Alps called Parpaillon. With the energy of a skillful cyclist perhaps as a great tribute to François, the mailman played by Tati in The Big Day, Moullet makes a comedy by pedaling at a pace that allows him to reinvent the possibilities of film gags.

No synopsis available yet.

No synopsis available yet.

The ending of filming 24 passions over 24 years in Burzet (France). Shot on a silver film, it takes us on a tour around the area now left empty.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A film by Yves Rollin

Documentary depicting the atmosphere and rhythm of a day for children in a daycare center, from the moment their parents drop them off (7 a.m.) until they pick them up around 4:30 p.m. or 5 p.m.

No synopsis available yet.

Film expanded on three screens – So three films in parallel on a very large screen.

Music of the group Edition Spéciale. Image work of a piece of the group "So Deep Inside." Painting work on film.

Manhattan, Abstraction, Maryvonne, Marylin, Flèche d’argent

A film by Yves Rollin

No synopsis available yet.