Stephen Smith

Stephen Smith uncovers the secret history of the humble fig leaf, opening a window onto 2,000 years of Western art and ethics. He tells how the work of Michelangelo, known to his contemporaries as 'the maker of pork things', fuelled the infamous 'fig leaf campaign', the greatest cover-up in art history; how Bernini turned censorship into a new form of erotica by replacing the fig leaf with the slipping gauze; and how the ingenious machinations of Rodin brought nudity back to the public eye. In telling this story, Smith turns many of our deepest prejudices upside down, showing how the Victorians had a far more sophisticated and mature attitude to sexuality than we do today. He ends with an impassioned plea for the widespread return of the fig leaf to redeem modern art from cheap sensation and innuendo.

Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

Dr. Zhivago is one of the best-known love stories of the 20th century, but the setting of the book also made it famous. It is a tale of passion and fear, set against a backdrop of revolution and violence. The film is what most people remember, but the story of the writing of the book has more twists, intrigue and bravery than many a Hollywood blockbuster. In this documentary, Stephen Smith traces the revolutionary beginnings of this bestseller, to it becoming a pawn of the CIA at the height of the Cold War.

Writer Broadcaster and Newsnight arts correspondent Stephen Smith finds out what it took to get ahead at the court of Richard II.

Stephen Smith uncovers the secret history of the humble fig leaf, opening a window onto 2,000 years of Western art and ethics. He tells how the work of Michelangelo, known to his contemporaries as 'the maker of pork things', fuelled the infamous 'fig leaf campaign', the greatest cover-up in art history; how Bernini turned censorship into a new form of erotica by replacing the fig leaf with the slipping gauze; and how the ingenious machinations of Rodin brought nudity back to the public eye. In telling this story, Smith turns many of our deepest prejudices upside down, showing how the Victorians had a far more sophisticated and mature attitude to sexuality than we do today. He ends with an impassioned plea for the widespread return of the fig leaf to redeem modern art from cheap sensation and innuendo.