Mario Homolka

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Vignettes of life in the village Kryvorivnya in the Carpathian Mountains of Ukraine, where once the novel "Shadows of Forgotten Ancestors" was written and later filmed and where, to this day, the passage of time has its own pace.

The still unexplained murder of former police officer Robert Remiáš in 1996, which appears to have involved the Slovak secret service at the behest of those in the highest places, remains a major blemish on the young Slovak democracy. The year before, the state directed the kidnapping of the son of the Slovak president, with whom the then Prime Minister Vladimír Mečiar had a dispute. And Remiáš, who was the only witness to the kidnapping, became inconvenient...

No synopsis available yet.

Emília Vášáryová. We know her face from newspaper and magazine covers and movie posters, yet we know so little about her. For more than sixty years, she has helped shape modern Czech-Slovak theater, film, and television, but only a few of her colleagues know the sources of her creative efforts. The film takes viewers on a journey through time, allowing them to understand the context of the actress's life and artistic endeavors.