Vladimir Vega

The story of the ascension to the throne and the early reign of Queen Elizabeth the First, the endless attempts by her council to marry her off, the Catholic hatred of her and her romance with Lord Robert Dudley.

A British spy is banished to Panama after having an affair with an ambassador's mistress. Once there he makes connection with a local tailor with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife, who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Canal.

Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her past still haunts her.

In the late 19th century, Lord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later his erudite Afro-English valet, Bogle, is sent to investigate rumors that Tichborne survived and settled in Australia. An alcoholic ruffian answer's Bogle's inquiries claiming to be the lost heir. Bogle suspects fraud, but conspires with the claimant to split the inheritance should the latter succesfully pass himself off to friends, family and the courts. As the claimant returns to England to continue his charade, enough people confirm his identity to make both the claimant and Bogle believe that he just might be the rightful heir after all.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.