Mark Hadfield

Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.

Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

The re-imagining of VE Day in 1945, when Princess Elizabeth and her sister, Margaret were allowed out from Buckingham Palace for the night to join in the celebrations, and encounter romance and danger.

Wienerworld has teamed up with Stage on Screen to release a brand new series of classic plays aimed at the student, teacher, lecturer and theatre lover alike. Each production is highly polished, using professional actors and directors at London s award-winning Greenwich theatre, which specialises in productions for young people.e.

Seven-time BAFTA Award-winner Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick’s comedy masterpiece Dr. Strangelove. This explosively funny satire, about a rogue U.S General who triggers a nuclear attack. Based on the motion picture directed by Stanley Kubrick, screenplay by Stanley Kubrick, Terry Southern and Peter George, based on the book 'Red Alert' by Peter George.

David Tennant stars in a film of the Royal Shakespeare Company's award-winning production of Shakespeare's great play. Director Gregory Doran's modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks an unsettling secret.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

He used to be the host of a silly, but popular television quiz, but these days one of his side jobs is to be a Bar Mitzvah host, doing work that gives people no joy, that no one even needs, and that only stands in the way of people entertaining themselves at a dignified ceremony. He faces the eternal challenge of all actors - how can you bring joy to other people when you yourself have none? Played by Toby Jones, one of Britain’s best character actors (he played and voiced Dobby in Harry Potter films, starred in Captain America: The First Avenger and Captain America: The Winter Soldier, as wells as on television drama Sherlock), this sad character becomes a hero of a story that resembles an ancient tragedy about being not needed at the feast of life of other people.

Gerald is a smart, young, high-flying American banker. Everything is great until his wife finds another woman's underwear in their bedroom and subsequently throws him out. He finds lodgings with Monica, a recently divorced 50-year old housewife, who is smitten with Gerald. But after their first night of love, Gerald avoids her. Monica feels used and betrayed until Gerald confesses he likes to dress up as a woman. Monica learns to accept and eventually support Geraldine, Gerald's alter ego.

Fitness fanatic, Donald Leek, indulges in a monthly Chunky Monkey experience with, someone vaguely resembling movie-songstress, Julie Andrews, who he's expecting at 7:30pm. His obsession with Ms. Andrews (and her posterior) is somewhat disturbing to say the least. Before she arrives however, he has to dispose of the body parts of Mr Azam, manager of his favourite Indian restaurant, who has neglected to send him a Christmas card. He is interrupted by a peculiar assortment of unwelcome visitors, amongst them, Jesus Christ and a one-testicled self-made millionaire. Each one is as unhinged as their host, who retaliates to the intrusion in extreme fashion

Henry VI: Part One Filmed as a rehearsal run through performance during the Covid 19 pandemic, Henry VI: Part One introduces us to a young and reclusive Henry, who is proclaimed King of England after the death of his father, Henry V. Directed by Gregory Doran and Owen Horsley.

The Football Monologues tells the stories of seven different people living in and around the beautiful game. Each of our subjects talks intimately, unveiling their innermost hopes and fears. One by one they touch on themes central to us all: the fragility of our mental selves, the failings of our bodies, the complexities of our relationships and ambitions and our need to connect.