Camille Genaud

Ali, a young Moroccan immigrant, is torn between the conservative environment of his family and his passion for the cabaret where he cross-dresses at night to become Alia.

Paul doesn't know how to say no. He goes from job to job, from man's arm to man's arm, without knowing what tomorrow will bring. This Wednesday, he has to look after his eight-year-old son, whom he did not raise and whom he had with Assa, a surgeon older than himself.

Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.

Two men meet around a camera: the old man recounts a lost love to the young director. To remember this love, the old man reads his texts, one of which alludes to a place that holds special memories: Ostend. The director then summons a third man and in turn creates the pictures of a lost love, in a shift towards fiction.

Florence and Etienne visit Florence's dead father's house. He has hung himself from a tree. Etienne will soon discover that the couple's excursion brings up the challenge to open up to each other about unspoken truths.

Three female friends recall their misadventures (more sexual than cinematical) attending the Locarno Film Festival.

Ali, a young Moroccan immigrant, is torn between the conservative environment of his family and his passion for the cabaret where he cross-dresses at night to become Alia.

Paul doesn't know how to say no. He goes from job to job, from man's arm to man's arm, without knowing what tomorrow will bring. This Wednesday, he has to look after his eight-year-old son, whom he did not raise and whom he had with Assa, a surgeon older than himself.

Two men meet around a camera: the old man recounts a lost love to the young director. To remember this love, the old man reads his texts, one of which alludes to a place that holds special memories: Ostend. The director then summons a third man and in turn creates the pictures of a lost love, in a shift towards fiction.

Anne divides her life between the primary school where she teaches and her home where she engages in a strange ritual with her son Simon. But her daughter Helena, whom she hasn’t seen in a long time, is in town for a special performance of The Rite of Spring.