João Araújo

A boy lives with his mother and younger sister. One day, his mother disappears with her lover, leaving the two children alone. António, the older brother, takes care of his sister, Maria da Luz. The little girl is about 10 months old. When she starts walking, their mother reappears with her lover, takes the girl, and leaves the boy behind. António is devastated, as he had been living for several months with a single goal: to protect his sister.

This fictional documentary traces a poetic cartography based on the journey of a theater group to São Miguel, Natália Correia's birthplace, and Lisbon, where she lived most of her life. It passes through Botequim, Assembleia da República, Hotel Britânia, Teatro Micaelense, Parque Terra Nostra, and so many other places once inhabited by Natália and now by these actors who help us to unearth the myths, ghosts, and pains born in the life and work of Natália — one of the most important figures in Portuguese culture, literature, and politics, before and after April 25.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Mozambique, 1969. What was meant to be a peaceful Christmas Eve ends up badly as a group of soldiers brings home a prisoner that will be murdered. Simultaneously, the Capitan's wife arrives in surprise, bringing along a Priest, who is supposed to celebrate the mass.