Directing
João Victor Almeida
Known for
Directing
Credits
3 titles
Known for
NRThe routine with housework takes up much of Cristina's day. The noises of these movements echo through all the vacant rooms of the house. The arrival of an unexpected invitation interrupts their customs and will lead to a touching reunion, full of pride and longing.
Red Invite
2017
NRAn essay film depicting its director's childhood and adolescence based on his old photos. Narrated in the first person, these images are modified through manual interventions. The documentary debates and reflects on these two phases of his life that he considers to have been "amputated" when talking about LGBTQIAP+ people. Evoking his memories, the director talks about these personal issues as a form of research on his past to understand the present. The director is motivated by the realization that some feelings are shared among LGBTQIAP+ people, such as estrangement, insecurity, anxiety, depression, shyness, anger, low self-esteem, syndromes, phobias, and anguish.
Leave the Doll in the Car
2024
Behind the camera
NRThe routine with housework takes up much of Cristina's day. The noises of these movements echo through all the vacant rooms of the house. The arrival of an unexpected invitation interrupts their customs and will lead to a touching reunion, full of pride and longing.
Red Invite
2017
NRThe routine with housework takes up much of Cristina's day. The noises of these movements echo through all the vacant rooms of the house. The arrival of an unexpected invitation interrupts their customs and will lead to a touching reunion, full of pride and longing.
Red Invite
2017
NRAn essay film depicting its director's childhood and adolescence based on his old photos. Narrated in the first person, these images are modified through manual interventions. The documentary debates and reflects on these two phases of his life that he considers to have been "amputated" when talking about LGBTQIAP+ people. Evoking his memories, the director talks about these personal issues as a form of research on his past to understand the present. The director is motivated by the realization that some feelings are shared among LGBTQIAP+ people, such as estrangement, insecurity, anxiety, depression, shyness, anger, low self-esteem, syndromes, phobias, and anguish.
Leave the Doll in the Car
2024
