Editing
James Krell
Known for
Editing
Credits
21 titles
Known for
For yet another film, All Area (1978), Krell shot the shadow of a curtain on the floor of his New York loft for 30 minutes with ancient black and white Portapack ½” video equipment, then remastered the material on negative film stock with a professional film chain to achieve astonishing results in contrast, frame sizing, and the arbitrary duration of this reductive image.
All Area
1978
Filmed in 1983 in New York at Pier 34, this film takes place at an abandoned storehouse which was left at the mercy of the elements and open to anonymous homosexual encounters and to having its walls covered with gigantic frescos by underground artists. This place breathed transgression, desire, danger.
Relax Be Cruel
2023
NRShort work.
Four Rolls (Rarely Pre-Dated) (Tribute to Marcel Duchamp)
1976
For his film Finally A Lamb, completed in 1976, Krell documented a performance piece by the German artist Hermann Nitsch of the Orgies/Mysteries Theater, which took place at Douglass College in the early 1970s, in which a dead sheep’s carcass was disemboweled in front of a stunned audience.
Finally A Lamb
1976
NRGHOST DANCE LOTS OF FLARES THE BODY OF A WOMAN identified as lies under a blanket on fogs of san fran. small bits – J. K.
Second Thoughts
1980
Short work.
On the Count of Love (Indian Lake Diary, 1977)
1980
Film credits
Behind the camera
For yet another film, All Area (1978), Krell shot the shadow of a curtain on the floor of his New York loft for 30 minutes with ancient black and white Portapack ½” video equipment, then remastered the material on negative film stock with a professional film chain to achieve astonishing results in contrast, frame sizing, and the arbitrary duration of this reductive image.
All Area
1978
NRShort work.
Four Rolls (Rarely Pre-Dated) (Tribute to Marcel Duchamp)
1976
For his film Finally A Lamb, completed in 1976, Krell documented a performance piece by the German artist Hermann Nitsch of the Orgies/Mysteries Theater, which took place at Douglass College in the early 1970s, in which a dead sheep’s carcass was disemboweled in front of a stunned audience.
Finally A Lamb
1976
NRGHOST DANCE LOTS OF FLARES THE BODY OF A WOMAN identified as lies under a blanket on fogs of san fran. small bits – J. K.
Second Thoughts
1980
Short work.
On the Count of Love (Indian Lake Diary, 1977)
1980
Sweeten offerings to the gods/ i thought everyone was honesty/ but they were a result of mirror/ meat/ a l a r g e r e d flash/ A –J. K.
Alpine Lookout #2
1977
Ilike to go to oregon hills/ Iroll down with my arms because/ Iwant to go slower/ Iam scared. –J. K.
Paper Palsy
1972
NRShort work.
Kay Serra Serra/The Mirrors (New Paltz Diary, 1975)
1978
Short work.
Action Past Compassion
1976
Monument of the bay easter/ gail sits in the crease for two days/ refusing drink or food/ angels arrive and reveal she is a glorious bum/ ALTHOUGH IT WAS L(1965)arry –J. K.
The Shoreline of China
1973
NRNo synopsis available yet.
30 Days: Speed Or Gravity
1976
NRShort work.
(Kozo Okamoto's Quote)
1979
Long work.
Alpine Lookout #3
1978
Mid-length work.
Thank You/Your Receipt
1977
NRShort work.
Wolverine Kills T. V.
1975
Short work.
Shame, Shame: Dallas Diary, 1964
1977
Sweeten offering to the god/ everyone thought i was beauty/ but it was the result of mirror/ bread/ alargegreeb spotlite. –J. K.
Alpine Lookout #1
1976
Mid-length work
Ram's Photo's
1977
NRShort work.
Fur (But Less Fun)
1976
Short work.
Coda/M. C.
1975
