Virginie Dubois

A young woman's life spirals into chaos after she is involved in a hit-and-run accident. Then she encounters a mysterious man named Evian who offers her an opportunity for redemption. Narrated by a fish.

On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.

In a tiny house in the town of Destor, near Rouyn-Noranda on Highway 101 North, Scott, a repeat ex-con in his fifties, lives quietly with Jessie, his girlfriend 23 years his junior. He spends his time meditating and doing 3D puzzles while Jessie spends hers collecting dolphin figures, dancing to “Summer Love” and smoking weed. Wanting to make a documentary on Scott’s social reintegration, social worker Anick moves in to their house for a few days. While the shoot starts off smoothly, with several funny and touching interviews of Scott and Jessie, things quickly derail. Anick seems more interested in Jessie than Scott. The documentary’s subjectivity is quickly replaced by a growing attraction between Anick and Jessie. The continuous presence of the filmmaker in the enclosed space, coupled with the exasperation Scott feels at being constantly recorded, is causing the pressure to escalate. Scott could lose it at any time.

Suffering from a deep depression, actor Serge Thériault has isolated himself for seven years. With sensitivity and respect, the filmmakers focus their camera on Thériault’s wife Anna, his daughter, and a neighbour couple. The friendship inspires touching, beneficial solidarity, as well as a coordinated and patient attempt to help the popular actor emerge from his isolation and embark on a sustainable healing process.

Three stories of young people unfold over the course of a year in this drama that illuminates a new generation of American Indians. The tales involve a contemplative young man, three girls who worship a sacred spirit and a found-object artist.

Unfairly dismissed from his duties for trying to catch a white-collar bandit, Jean-Guy Simard leaves the tax office with one fixed idea: to get revenge by making a video on the rules of tax avoidance. From Geneva to Bermuda, his strange investigation takes the form of a Dadaist and irreverent comedy, in which he plays all the roles at once, throughout an exposé where the power of money gradually confronts him with his own demons.

The film is a portrait of Dave St-Pierre, a dancer and choreographer from Montreal who is urgently awaiting a lung transplant due to his lifelong battle with cystic fibrosis.