Acting
Valeria Lukyanova
Born
1985-08-23 (41)
Place of birth
Tiraspol, Moldavian SSR, USSR [now Moldova]
Known for
Acting
Credits
2 titles
Valeria Valeryevna Lukyanova is a Moldova-born Ukrainian model and entertainer of Russian origin, famous for her resemblance to a Barbie doll. She currently lives in Mexico. To enhance the Barbie effect Lukyanova uses makeup and contact lenses over her naturally green/gray/blue eyes. She has stated that she has had breast implants, but that the rest of her body is natural and slender due to daily gym workouts and a particular diet. Lukyanova was born 1985, in Tiraspol, in what was then part of Moldavian SSR in the Soviet Union. She is of Russian origin. Lukyanova lived in Odesa, Ukraine from age 16 until 2014, when she moved to Moscow. She had her debut starring role in a feature film in …
Known for
2.5When Chris and Andy order a model from an escort service, they find that something is unnaturally wrong with Natasha, something deadly wrong.
The Doll
2017
NRComposer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.
Desert of the Real
2017
Film credits
2010s · 2 titles
2.5When Chris and Andy order a model from an escort service, they find that something is unnaturally wrong with Natasha, something deadly wrong.
The Doll
2017
NRComposer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.
Desert of the Real
2017