Catherine Terris

British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.

Leah, 10, has terrible nightmares. Her mother seems distant somehow, lost in her thoughts. A small, nightly visitor brings Leah comfort, but soon Leah will realize that her little visitor offers knowledge that might be very, very dangerous.

A tough nun (Anna Massey) demands belief and obedience from convent schoolgirls (Katrin Cartlidge, Oona Kirsch) in World War II England.

In the early 19th century, a young woman with a harelip falls foul of her family's ambition and the superstitions of the local community, but meets a man who may see her differently.

Based on the true story of Shelia Bowler, accused of murdering her elderly aunt.

Comedy in which a young Geordie, Peter, is put under pressure by his fiancee who wants him to name the wedding day. Enough pressure to make him consider jumping off the Tyne Bridge. Peter tells the story to a lass he meets at a club.

When a new arrival, a titled lady no less, arrives to shatter the genteel status quo of the St. Elmo Hotel, the entrenched residents are soon sharpening up their knitting needles for battle.

In "Pictures on Pink Paper" Rhodes analyses language as a cause rather than symptom of gender inequalities by looking at the ways in which the association of women with nature and men with culture is linguistically embedded, (seen, for example, in the consistent use of female pronouns to refer to "natural" objects). This film asks how women's oppression can be articulated without mimicking that very expression and language which defines power relations. despite the structuring of the women's voices the film is non-narrative - here, even time is broken down.