Tetsuro Nunokawa

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.

The United States celebrates its bicentennial. The film depicts the history of a rebellious nation that has been overshadowed by the authentic history of the U.S., including slums, Vietnam veterans, incarcerated Nikkei, and indigenous peoples.

Pinku from 1972.

No synopsis available yet.

The Kyokuba-kan troupe tour around the Japanese archipelago

Starting with a scene of a refugee camp in Israeli-occupied Gaza in 1976, the film features shots of various districts, dispensing with narration and interspersing interviews with Palestinian people and fedayeen (guerrillas) in the rubble of Western Beirut. Children who lost their parents in bombings are educated to be soldiers at their orphanage. They say that they want to be soldiers or heroes. Boys and girls sing: "We don't want money. We don't want to play. We will carry guns and enter the Revolutionary Army." Two years after the filming began, the girls have grown but they have not changed their minds.

The United States celebrates its bicentennial. The film depicts the history of a rebellious nation that has been overshadowed by the authentic history of the U.S., including slums, Vietnam veterans, incarcerated Nikkei, and indigenous peoples.

No synopsis available yet.

The Kyokuba-kan troupe tour around the Japanese archipelago

Starting with a scene of a refugee camp in Israeli-occupied Gaza in 1976, the film features shots of various districts, dispensing with narration and interspersing interviews with Palestinian people and fedayeen (guerrillas) in the rubble of Western Beirut. Children who lost their parents in bombings are educated to be soldiers at their orphanage. They say that they want to be soldiers or heroes. Boys and girls sing: "We don't want money. We don't want to play. We will carry guns and enter the Revolutionary Army." Two years after the filming began, the girls have grown but they have not changed their minds.