John Culshaw

Tony Palmer directs this documentary exploring the life and work of the celebrated English composer, conductor and pianist. Britten is particularly well known for his operas, which include 'Peter Grimes' and 'Death in Venice'. Palmer discusses the life experiences that influenced Britten's work, such as the turmoil of World War II, which horrified his pacifistic nature, and reflects on the role of an artist in such troubled times.

Watching the Vienna Philharmonic, Georg Solti, and a stellar cast record Wagner's immense Götterdämmerung for Decca in the fall of 1964 provides a thousand lessons in the art of working under pressure. For this classic documentary, The Golden Ring, a BBC camera crew eavesdropped as producer John Culshaw guided his engineering team through tricky technical maneuvers far removed from the relative ease of modern digital editing. What utter concentration and focus Birgit Nilsson, Wolfgang Windgassen, Gottlob Frick, and Dietrich Fischer-Dieskau bring to their collective and individual singing! Solti, for his part, oozes energy and exactitude as he pleads for greater precision and frets over details in the car en route to the sessions.

A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.

Maria Callas sang in London for the first time in over eight years, and BBC cameras were in the Royal Festival Hall, London, for the occasion. She shares the programme with distinguished Sicilian tenor Giuseppe di Stefano, and they are accompanied by Ivor Newton on the piano.

Tony Palmer's documentary about the staging of Britten's choral work.

This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.