Wolfgang Muhr

When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.

Rudi wears a suit, Daniel rides a bike. But despite all the differences between the two brothers, they become interested in the same woman. For different reasons, however - as Nora soon discovers...A comedy with depths, about loyalty, family ties and manipulation.

The director of an elite boarding school is set on fire in his own bed and dies. Haller investigates covertly as the new music teacher.

After the body of a young woman is recovered from Lake Mattsee, the two cops not only face a major professional challenge that takes them into the dark past, but also come into contact with Mattsee's dark history and reach their limits privately.

Augustus is reputed to have been a violent, adventurous, power-hungry and unscrupulous warlord. Yet as founder of the Roman Empire, he ushered in a period of peace and prosperity. Drawing on the analysis of several historians, this documentary traces an extraordinary destiny: posthumously adopted by his great-uncle Julius Caesar, Octavian, the future Augustus, accepted an inheritance fraught with consequences. Having made his own empire prosper, he wrote his political will at the age of 76, without naming an heir. How was the succession of this childless strategist organized?

"We´re going to exaggerate shamelessly." This sentence is spoken over black film by Lucy McEvil, transvestite, singer and passionate resident of Vienna, at the beginning of Wolfgang Muhr´s short portrait. Hyperbole is a wholly suitable leitmotif for a film in which an artist is shown portraying characters of the opposite sex, as the representation´s exaggeration, ironic refraction and displacement is what differentiates the act of dressing in drag from mere imitation of a certain sex.

"We´re going to exaggerate shamelessly." This sentence is spoken over black film by Lucy McEvil, transvestite, singer and passionate resident of Vienna, at the beginning of Wolfgang Muhr´s short portrait. Hyperbole is a wholly suitable leitmotif for a film in which an artist is shown portraying characters of the opposite sex, as the representation´s exaggeration, ironic refraction and displacement is what differentiates the act of dressing in drag from mere imitation of a certain sex.