Acting
Käthe Kruse
Born — Died
1883-09-17 — 1968-07-19
Known for
Acting
Credits
4 titles
Known for
6.0Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.
The Meadow of Things
1988
6.0A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.
Such Was the S.O. 36
1984
NRNan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
The Ballad of Sexual Dependency
1985
German music and art collective Die Tödliche Doris performs their song "Über Mutti" live at the Front Kino in Kreuzberg, Berlin in 1984. However, the performance is actually a lip-sync of a live recording of the song at a concert in Paris a year earlier. The audience themselves are invited to join in the performance, syncing their responses to the recording of the Paris audience.
Deadly Doris: "Super Mom"
1984
Film credits
1980s · 4 titles
6.0Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.
The Meadow of Things
1988
6.0A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.
Such Was the S.O. 36
1984
NRNan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
The Ballad of Sexual Dependency
1985
German music and art collective Die Tödliche Doris performs their song "Über Mutti" live at the Front Kino in Kreuzberg, Berlin in 1984. However, the performance is actually a lip-sync of a live recording of the song at a concert in Paris a year earlier. The audience themselves are invited to join in the performance, syncing their responses to the recording of the Paris audience.
Deadly Doris: "Super Mom"
1984
