Acting
Gregorio Cicarelli
Known for
Acting
Credits
7 titles
Known for
NRThe story revolves around the relationship of Italian immigrants and Argentines. Nostalgia for his country of origin and life in a strange country. It is a call for the union of immigrants that evokes sentimentality. The film conveys the sensation of the musician, whom an Italian immigrant listens to, and feels "understood and unconditionally loved"
¡Ué... Paisano!
1953
A young woman who is in love with a singer chooses to run away from home so as not to marry a grocer to whom she was engaged.
Canillita
1936
10.0A doctor with political ambitions leaves his humble fiancée on the eve of the wedding to marry a rich woman.
Lejos del cielo
1950
NRThe life of the tenants of a Buenos Aires tenement during the interwar period.
Oro bajo
1956
7.8The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.
El último payador
1950
7.0A young man of limited intelligence but a kind heart, who earns his living as a coachman in a Buenos Aires square, saves a pregnant woman from suicide and grows fond of the child she gives birth to. The woman dies, and the young man must give the child to its true father.
Mi hermano Esopo (Historia de un Mateo)
1952
Film credits
1950s · 6 titles
NRThe story revolves around the relationship of Italian immigrants and Argentines. Nostalgia for his country of origin and life in a strange country. It is a call for the union of immigrants that evokes sentimentality. The film conveys the sensation of the musician, whom an Italian immigrant listens to, and feels "understood and unconditionally loved"
¡Ué... Paisano!
1953
10.0A doctor with political ambitions leaves his humble fiancée on the eve of the wedding to marry a rich woman.
Lejos del cielo
1950
NRThe life of the tenants of a Buenos Aires tenement during the interwar period.
Oro bajo
1956
7.8The film tells the story of the payador José Betinotti, a mythical character in Argentine music. It faithfully reconstructs the scenarios of the early twentieth century: the workers' struggles, the party meetings of the caudillos and the circus criollo, the cradle of Argentine theater and music.
El último payador
1950
7.0A young man of limited intelligence but a kind heart, who earns his living as a coachman in a Buenos Aires square, saves a pregnant woman from suicide and grows fond of the child she gives birth to. The woman dies, and the young man must give the child to its true father.
Mi hermano Esopo (Historia de un Mateo)
1952
8.0An unsuccessful actor wants to get money from his uncle to mount a play, and seeks a woman and a child to make them look like his wife and son.
Una noche cualquiera
1951
