Silvana Mihai

Mia, a young actress, is slapped by her boyfriend. That does it. She moves back home and starts planning her revenge. She decides to make a sex video to send to her ex. She just needs to find a man to make it with. And that’s when it turns out things are not that simple.

Romanian Ada faces the summer working as a prostitute with her aunt at a Norwegian camping site. When she encounters Henriette, a Norwegian girl, it sets a spark in her dream of a better life. Ada tries to push away reality, but as night falls the two worlds starts colliding.

A young snail grapples with the world's bewildering chaos and the enigma of their own body. Thrust into a quest for personal discovery, they must unlock the truth about their sexual identity through a bizarre and unexpected confrontation with their other half.

Two girls begin to chat about another girl, a former lover of both. As they grow closer, the gap between them widens, as one them is looking for answers and love while safely closeted. A try-out for love confined within suffocating prejudices, in today's Romania.

Romania, 1968. Two very different brothers. Mihai is a secret police informant, Emil is a dedicated dissident. When they have the opportunity to have their ailing father’s eyes operated on in East Germany, the three set out on a moving odyssey.

Rabbit Meat tells the story of Edy, a shy bodybuilder who is trying to find a girlfriend.

When a rising musician loses her inspiration in a hyper-competitive indie scene, she embarks on an eerie, fever-dream quest that leads her to a bizarre dilemma: reclaiming her creativity by performing a sacrifice.

Five breakups in five stories. A study on small apocalypses.

Dan Chisu made a new film, while in isolation. Some of the most famous Romanian actors performed, by filming themselves with their mobile phones.

At a theatre workshop for young people, a teenager embarks on a sexual relationship with a slightly older girl. But isn’t this all a bit of a mistake? The people around them react in various ways, yet no-one is indifferent to what’s going on.

In a near-future Romania, young Ozana (Silvana Mihai) is chosen to work as a food taster for the leader of forces occupying her country. The sole rule for her to follow is that she must never look this man in the eye.

A film director undergoes the traumatic experience of the death of his young daughter. But the artistic use of personal life comes with its own cost.