Arnaldo Berríos

No synopsis available yet.

Children come to a hospital to visit their dying father they haven't seen for 8 years. They try to recover their relationships before he dies.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

Anthology film composed of six standalone shorts.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

Alberto, a young law student struggles to realize his ultimate dream: to follow the call of his priestly vocation.

Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that area so called "the end of the world", he will face his past and leave his imposture.

In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left. The problem is exposed through the doubts and obsessions of a strange police chief who cannot establish the limits between critical behavior and militant responsibility.

María Luisa Bombal is an underground writer in the early twenties trying to reconcile her passionate and very sexual lifestyle with her life as a socialite among Santiago's very conservative elite.

Sussi comes to the big city to find love and success.

A female television journalist has a strange affair with a terrorist.

A thief asks his wife to visit him in prison, she goes without imagining that he is planning his escape.