Emma Portner

When single mom Callie and her two kids Trevor and Phoebe arrive in a small Oklahoma town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.

In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.

A movement film to the sounds of the awe-inspiring Amelia Meath: vocals; Nick Sanborn: chord organ; and Jenn Wasner: piano

A playful 3-minute vignette by American choreographer and filmmaker Celia Rowlson-Hall, Taxi! turns a maddening cab ride into a whirlwind of color and movement. This is the first in a series of shorts that Rowlson-Hall plans to make with her favorite dancers all over New York City – here with Or Schraiber spinning out to music by Mas Ysa.

A three-acts movement-based short film that gives a physical response to the works of two visual artists: Francis Bacon and Alberto Giacometti.

Sparked by the fragile frustration of navigating through any single thing that hangs by a single thread. We all know what it means to introduce. We all know what it means to move on and a lot of us know what it’s like to stay on the line.

A movement film to the sounds of the awe-inspiring Amelia Meath: vocals; Nick Sanborn: chord organ; and Jenn Wasner: piano

A three-acts movement-based short film that gives a physical response to the works of two visual artists: Francis Bacon and Alberto Giacometti.

Sparked by the fragile frustration of navigating through any single thing that hangs by a single thread. We all know what it means to introduce. We all know what it means to move on and a lot of us know what it’s like to stay on the line.