Miguel Rosenberg

No synopsis available yet.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

Amidst an unresolved crime, Simone protects Cristiano and falls in love with him. However, the couple faces ambition and betrayals that tear them apart. Presumed dead, she returns under a new identity seeking revenge.

Sassá Mutema is a farm laborer who becomes the target of the city's powerful figures' cruelty. With Clotilde's support, he discovers that it's possible to start a new life alongside a great love.

No synopsis available yet.

A Muralha is a Brazilian telenovela that first aired on TV Excelsior in 1968. It is based on a novel by Diná Silveira de Queirós.

No synopsis available yet.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

Amidst an unresolved crime, Simone protects Cristiano and falls in love with him. However, the couple faces ambition and betrayals that tear them apart. Presumed dead, she returns under a new identity seeking revenge.

Sassá Mutema is a farm laborer who becomes the target of the city's powerful figures' cruelty. With Clotilde's support, he discovers that it's possible to start a new life alongside a great love.

No synopsis available yet.

A Muralha is a Brazilian telenovela that first aired on TV Excelsior in 1968. It is based on a novel by Diná Silveira de Queirós.

No synopsis available yet.

No synopsis available yet.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

Facing a financial crisis, Guilherme receives an ultimatum: he must pay his overdue rent within 24 hours or face eviction from the Copacabana apartment—located in Rio de Janeiro's South Zone—where he lives with his family: his wife Joana, his children Kika, Beto, and Tatá, and his father Olavo. Left with no other option, they move into a large house in São Cristóvão (in the North Zone) lent to them by Joaquim, a Portuguese friend. The family struggles to adapt to the suburban neighborhood and cope with their lack of money. To overcome the crisis, Guilherme becomes a partner in Joaquim's auto repair shop.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Diana is a successful model who deals with competition and the envy of Débora, both at work and in the heart of photographer André. However, she begins to have spiritual dreams where she is transported to 1830s Paris and falls in love with Pierre, who looks exactly like André and is the great love of Marlene's life. Caught between two loves and two rivals, Diana must uncover the reason for it all.

No synopsis available yet.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.

No synopsis available yet.

The transition from imperial Brazil to the Republic, marked by intrigue, rebellion, and popular indifference. Held in commemoration of the centenary of the birth of the Republic in Brazil.

The miniseries is set in the late 1920s and tells the story of traveling salesman Quequé, who maintains three families in different fictional cities in the Northeast. Eleuzinha, from Nova União, in Pernambuco, is her husband's inseparable companion, with whom she has four children: Iraíldes, Maninho, Laide and Lili. It is with Eleuzinha that Quequé feels at ease, exercising his more liberal side.