Maya Merkel

Writing

Maya Merkel

Born — Died

1927-05-11 — 2015-03-30

Known for

Writing

Credits

9 titles

Maya Maksovna Merkel was a Soviet and Russian documentary filmmaker and screenwriter.

Known for

Behind the camera

The Golden Record poster
NR

The following guests take part in the music concert-documentary: Rosa Rymbaeva, Dmitry Pokrovsky folklore Ensemble, Elena Kamburova, Alla Pugacheva, Bulat Okudzhava and the Nergebi children's vocal ensemble from Georgia.

The Golden Record

1983

A Tram Runs Through the City poster
NR

“You have to love people, really. If you don’t, you’ll get them trapped in the tram doors,” says the central figure Lyudmila. She takes the viewer on three of her shifts as a tram driver; she speaks frankly and tenderly about her profession and introduces her passengers. People, streets, light and mood change, and with them an image of Leningrad takes shape.

A Tram Runs Through the City

1973

The Golden Record 2 poster
5.0

The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.

The Golden Record 2

1986

The Premiere is Tonight poster
NR

A documentary on the staging of Georgi Tovstonogov's acclaimed production of The Three Sisters at the Gorky Bolshoi Drama Theater, from the first table read to the opening night.

The Premiere is Tonight

1965

Oh, Cinema, Cinema! poster
NR

A report from the set of the movie "To Love a Man" directed by S. A. Gerasimov.

Oh, Cinema, Cinema!

1973

Oh, Cinema, Cinema! poster
NR

A report from the set of the movie "To Love a Man" directed by S. A. Gerasimov.

Oh, Cinema, Cinema!

1973

No artwork available
NR

Scenes from the life of the creative laboratory of the USSR Folk Dance Ensemble under the direction of Igor Moiseyev.

Perpetuum Mobile

1967

No artwork available
NR

Scenes from the life of the creative laboratory of the USSR Folk Dance Ensemble under the direction of Igor Moiseyev.

Perpetuum Mobile

1967

The Divine Giselle poster
NR

In the history of the Russian ballet theater, the name of Olga Spesivtseva occupies a place no less significant than the names of Anna Pavlova and Tamara Karsavina. The audience first saw her in 1913 as a beautiful young girl, gentle, captivating and timid, with huge eyes full of mystery. In the early twenties, this girl was a real idol of youth and a conqueror of Paris, and in the early nineties, after a long mental illness, she ended her days away from her homeland, in one of the nursing homes. A star and a victim of her time, a forced hermit and a prisoner of madness, her life is a tangle of glory and oblivion, her name is surrounded by an aura of mystery, delight and contempt...

The Divine Giselle

1997