Alison Khor

When Mei Ling discovers that her daughter Kiki wants to further her studies in France, she takes it upon herself to learn French and earns more money so that she could accompany Kiki.

A graceful experiment in classical storytelling, Kris Project I deconstructs the narratives of the Indian epic poem Ramayana (which narrates the struggle of Prince Rama to rescue his wife Sita from the demon King Ravana), combining it with other folklore of the Malaysian peninsula. By separating sound and image and combining footage from various sources, Au Sow-Yee displaces time and space and questions historical narratives and memories.

A do it in collective punk musical movie of sapphic/trans rebellion in which a troubled, young, non-binary Taiwanese named T, is in the grip of a heroin addiction. T meets Shui, a betel nut seller and daughter of a famous Taoist exorcist who wants to perform an exorcism on his daughter. They eventually encounter a character called Big Sister 13, and in a web of desires, neon lights, and songs, together they will fight against the destructive presence of addiction, a sinister creature, and a pro-family terrorist group. They will learn how to care for one another, exorcizing a haunted past and flowing into the immensity of love.

Zahara, a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad, claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

When Mei Ling discovers that her daughter Kiki wants to further her studies in France, she takes it upon herself to learn French and earns more money so that she could accompany Kiki.

A graceful experiment in classical storytelling, Kris Project I deconstructs the narratives of the Indian epic poem Ramayana (which narrates the struggle of Prince Rama to rescue his wife Sita from the demon King Ravana), combining it with other folklore of the Malaysian peninsula. By separating sound and image and combining footage from various sources, Au Sow-Yee displaces time and space and questions historical narratives and memories.