Caoilfhionn Dunne

Acting

Caoilfhionn Dunne

Born 1984-01-01 · Finglas, Dublin, Ireland

Caoilfhionn Dunne is an Irish stage, television, and film actress. On stage, she was nominated for the Evening Standard Theatre Awards for Outstanding Newcomer in 2013. In 2014, she was nominated for best supporting actress in a television series at the 11th Irish Film & Television Awards. Her film roles include Saint Maud (2019).

Acting credits

Wrath of the Titans poster
5.8

Perseus tries to live a quieter life as a village fisherman while – dangerously weakened by humanity's lack of devotion – the gods are losing control of the long-imprisoned Titans and their ferocious leader, Kronos.

Wrath of the Titans

2012

Saint Maud poster
6.5

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Saint Maud

2020

Wild poster
NR

Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today he’s in Moscow, in an undisclosed hotel room, on the run and at risk of assassination. Last week, a nobody. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button.

Wild

2016

Corduroy poster
NR

A story about the healing power of the sea, seen through the eyes of a young autistic woman who really shouldn't be there...

Corduroy

2009

No artwork available
NR

Last week, Andrew was that guy with his girl lunching in KFC, discussing apartments and making plans for the future. Today he’s in Moscow, in an undisclosed hotel room, on the run and at risk of assassination. Last week, a nobody. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button. Mike Bartlett’s darkly comic new play explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level. As the State grows more powerful because of technology, and technology grows more powerful because of the State, where do the self-appointed protectors of the rights of the citizen stand? Heroes? Or traitors?

Hampstead Theatre At Home: Wild

2016

No artwork available
NR

Tormented by guilt over the death of her family Ruth comes to decide that by donating her organs she will placate her utter self-loathing.

In View

2016