Mohamad El-Hadidi

After fleeing from Cairo to Berlin to escape police prosecution, photojournalist Alaa meets Lia at a party. A mutual attraction ignites, except Alaa doesn't know who Lia really is.

Exploring the relationship between man and place by following the paths of six characters in contemporary Alexandria.

Over 30 years of fieldwork, photographer Randa Shaath built an extensive archive of Palestine: decades of photographs of the people and places she calls home. In her living room, we open the archive together, guided by her rare gift for remembering a story behind each photo. One more return to Albelad (the homeland), she glides through the photos, and with every return, a story surfaces. She holds onto a narrative in which hope was possible, and a free Palestine never felt far away.

A portrait for Nubar in his shop. An Armenian-Alexandrian who belongs to a fading community.

No synopsis available yet.

Going through a journey in the streets of the empty city, except from him and his beloved, loaded with unsteady and contradictory feelings towards her, after their relationship had come to an end recently. He runs in the streets of the empty city, trying to catch her; she on her tricycle and he, after her, on foot. Out of breath, he reaches the milk shop “Alban Wady El-Neel” at the end of his journey, unable to define what feelings he carries for her, any longer..

After fleeing from Cairo to Berlin to escape police prosecution, photojournalist Alaa meets Lia at a party. A mutual attraction ignites, except Alaa doesn't know who Lia really is.

After fleeing from Cairo to Berlin to escape police prosecution, photojournalist Alaa meets Lia at a party. A mutual attraction ignites, except Alaa doesn't know who Lia really is.

After fleeing from Cairo to Berlin to escape police prosecution, photojournalist Alaa meets Lia at a party. A mutual attraction ignites, except Alaa doesn't know who Lia really is.

Exploring the relationship between man and place by following the paths of six characters in contemporary Alexandria.

Over 30 years of fieldwork, photographer Randa Shaath built an extensive archive of Palestine: decades of photographs of the people and places she calls home. In her living room, we open the archive together, guided by her rare gift for remembering a story behind each photo. One more return to Albelad (the homeland), she glides through the photos, and with every return, a story surfaces. She holds onto a narrative in which hope was possible, and a free Palestine never felt far away.

A portrait for Nubar in his shop. An Armenian-Alexandrian who belongs to a fading community.

No synopsis available yet.

No synopsis available yet.

Going through a journey in the streets of the empty city, except from him and his beloved, loaded with unsteady and contradictory feelings towards her, after their relationship had come to an end recently. He runs in the streets of the empty city, trying to catch her; she on her tricycle and he, after her, on foot. Out of breath, he reaches the milk shop “Alban Wady El-Neel” at the end of his journey, unable to define what feelings he carries for her, any longer..

Going through a journey in the streets of the empty city, except from him and his beloved, loaded with unsteady and contradictory feelings towards her, after their relationship had come to an end recently. He runs in the streets of the empty city, trying to catch her; she on her tricycle and he, after her, on foot. Out of breath, he reaches the milk shop “Alban Wady El-Neel” at the end of his journey, unable to define what feelings he carries for her, any longer..

Six different characters roaming in Alexandria along with their fears. Amr comes back to meet his father in his death bed, not sure how he can speak up and show his true feelings. Moussa spends his day afraid of crossing a street until he finds amends with his side of the road. Dahlia, on her wedding day, seems lost in worries about her off white marriage. The young girl discovers her grandmother's decay through her play time. After her husband's death, Rawya starts a habit of sleeping late, however, discovers a new exciting life at night. Maha, packing for leaving the country, starts questioning the change that happened or might happen in her life. They share the same creepy feelings in the same city but never meet

Six different characters roaming in Alexandria along with their fears. Amr comes back to meet his father in his death bed, not sure how he can speak up and show his true feelings. Moussa spends his day afraid of crossing a street until he finds amends with his side of the road. Dahlia, on her wedding day, seems lost in worries about her off white marriage. The young girl discovers her grandmother's decay through her play time. After her husband's death, Rawya starts a habit of sleeping late, however, discovers a new exciting life at night. Maha, packing for leaving the country, starts questioning the change that happened or might happen in her life. They share the same creepy feelings in the same city but never meet

Six different characters roaming in Alexandria along with their fears. Amr comes back to meet his father in his death bed, not sure how he can speak up and show his true feelings. Moussa spends his day afraid of crossing a street until he finds amends with his side of the road. Dahlia, on her wedding day, seems lost in worries about her off white marriage. The young girl discovers her grandmother's decay through her play time. After her husband's death, Rawya starts a habit of sleeping late, however, discovers a new exciting life at night. Maha, packing for leaving the country, starts questioning the change that happened or might happen in her life. They share the same creepy feelings in the same city but never meet