Namio Yuasa

"In the name of the struggle to aid his suffering people, he disregards every danger that threatens his very life...! He must battle the remnants of incredibly ferocious prehistoric beasts... But why? Can he truly slay a giant toad and a spider that has lived for thousands of years? Come witness for yourself the prowess of WATARI your beloved little hero!" - Theatrical Release Write Up. The first movie in the Taiwanese Watari film series. This is not Watari and the 7 Monsters, this is a separate movie all together, but it did release around the same time as 7 Monsters.

After the war, Noboru Ando, a former kamikaze soldier, returns to a devastated Tokyo. Enraged by the violence prevalent in society, he immerses himself in the yakuza world, believing that "violence must be met with violence." Gaining notoriety for his natural bravery and fighting skills, he becomes known as the "intellectual yakuza" and creates the Ando-gumi, a gang that controls the Shibuya district. Ando's first series of yakuza films is based on his autobiography. He labored at his first studio, Shochiku, to only minor success before leaving and going onto true stardom at Toei Studios. These films were awfully early in Ando’s career - a novice actor and former yakuza given immense notoriety by his newspaper-serialized bio upon his release from prison. 1 of 5 films.

Lou Bo-Wen ​​assists the chosen emperor Zhu Yuanzhang, protecting him from many demons and monsters. To prevent the emperors assassination plot, Lou instructs him to go to Chuzhou to find his uncle-in-law Guo Guangqing. Lou searches for heroes to assist and protect the emperor and successfully persuades Hu Dahai, Chang Yuchun, Jiang Zhong, Xu Da, and Li Wenzhong, among others. Sequel to the film The Founding of Ming Dynasty.

Minami Yoichiro is a gang member who has killed the boss of opponent clan. Before leaving Japan forever, he visits his sister's grave and becomes involved with a rival gang. He then discovers that his sister was murdered; also it becomes apparent that the pursuing detective has a personal reason for trying to capture him. In the end both he and the girl who was escaping with him are killed. The third film in Shochiku's series Law / Okite.

Lost Taiwanese Watari film, The Magic World of Watari and Watari and the 7 Monsters preceded it.

"A young boy and his sister, whose parents were kidnapped, and have been raised by their Grand Parents, decide that they are going to rescue their parents and free them for the evil Chin Chun Ping and his Villain Swordswoman Knight Wang. What follows is a journey into booby traps, sinister monsters, thrills, spills, and chills. And a gigantic three headed firebreathing terrifying flying dragon which relentlessly pursues the Karate kids." - English DVD description. This is not The Magic World of Watari, though both were released in the same year.

"In the name of the struggle to aid his suffering people, he disregards every danger that threatens his very life...! He must battle the remnants of incredibly ferocious prehistoric beasts... But why? Can he truly slay a giant toad and a spider that has lived for thousands of years? Come witness for yourself the prowess of WATARI your beloved little hero!" - Theatrical Release Write Up. The first movie in the Taiwanese Watari film series. This is not Watari and the 7 Monsters, this is a separate movie all together, but it did release around the same time as 7 Monsters.

After the war, Noboru Ando, a former kamikaze soldier, returns to a devastated Tokyo. Enraged by the violence prevalent in society, he immerses himself in the yakuza world, believing that "violence must be met with violence." Gaining notoriety for his natural bravery and fighting skills, he becomes known as the "intellectual yakuza" and creates the Ando-gumi, a gang that controls the Shibuya district. Ando's first series of yakuza films is based on his autobiography. He labored at his first studio, Shochiku, to only minor success before leaving and going onto true stardom at Toei Studios. These films were awfully early in Ando’s career - a novice actor and former yakuza given immense notoriety by his newspaper-serialized bio upon his release from prison. 1 of 5 films.

After the war, Noboru Ando, a former kamikaze soldier, returns to a devastated Tokyo. Enraged by the violence prevalent in society, he immerses himself in the yakuza world, believing that "violence must be met with violence." Gaining notoriety for his natural bravery and fighting skills, he becomes known as the "intellectual yakuza" and creates the Ando-gumi, a gang that controls the Shibuya district. Ando's first series of yakuza films is based on his autobiography. He labored at his first studio, Shochiku, to only minor success before leaving and going onto true stardom at Toei Studios. These films were awfully early in Ando’s career - a novice actor and former yakuza given immense notoriety by his newspaper-serialized bio upon his release from prison. 1 of 5 films.

Lou Bo-Wen ​​assists the chosen emperor Zhu Yuanzhang, protecting him from many demons and monsters. To prevent the emperors assassination plot, Lou instructs him to go to Chuzhou to find his uncle-in-law Guo Guangqing. Lou searches for heroes to assist and protect the emperor and successfully persuades Hu Dahai, Chang Yuchun, Jiang Zhong, Xu Da, and Li Wenzhong, among others. Sequel to the film The Founding of Ming Dynasty.

Minami Yoichiro is a gang member who has killed the boss of opponent clan. Before leaving Japan forever, he visits his sister's grave and becomes involved with a rival gang. He then discovers that his sister was murdered; also it becomes apparent that the pursuing detective has a personal reason for trying to capture him. In the end both he and the girl who was escaping with him are killed. The third film in Shochiku's series Law / Okite.

Minami Yoichiro is a gang member who has killed the boss of opponent clan. Before leaving Japan forever, he visits his sister's grave and becomes involved with a rival gang. He then discovers that his sister was murdered; also it becomes apparent that the pursuing detective has a personal reason for trying to capture him. In the end both he and the girl who was escaping with him are killed. The third film in Shochiku's series Law / Okite.

Lost Taiwanese Watari film, The Magic World of Watari and Watari and the 7 Monsters preceded it.

"A young boy and his sister, whose parents were kidnapped, and have been raised by their Grand Parents, decide that they are going to rescue their parents and free them for the evil Chin Chun Ping and his Villain Swordswoman Knight Wang. What follows is a journey into booby traps, sinister monsters, thrills, spills, and chills. And a gigantic three headed firebreathing terrifying flying dragon which relentlessly pursues the Karate kids." - English DVD description. This is not The Magic World of Watari, though both were released in the same year.

Rumiko, the female boss from Kanto. The film is a fierce counterattack by a Yakuza woman against all men! It shows the power of a woman who fights, a woman who makes money, and a woman who explodes! More energy than in any male movie!

Rumiko, the female boss from Kanto. The film is a fierce counterattack by a Yakuza woman against all men! It shows the power of a woman who fights, a woman who makes money, and a woman who explodes! More energy than in any male movie!

The story centers on a young yakuza, played by Keiji Takamiya, who teams up with a group of delinquent girls to commit crimes and make money. The second film in Shochiku's series the Law / Okite.

The story centers on a young yakuza, played by Keiji Takamiya, who teams up with a group of delinquent girls to commit crimes and make money. The second film in Shochiku's series the Law / Okite.

Nightclub singer Chun-mei falls for violinist Cheng-hsiung, who writes her a birthday melody. Her father's illness, debt, and violence force them apart. Directed by Japanese filmmaker Yuasa Namio with a transnational cast, the Mandarin feature is followed by a Taiwanese-language trailer. When the same faces and scenes speak in different languages, dubbing alters character, emotional distance, market position, and cinematic identity, while the gap invites us to imagine its lost Taiwanese soundtrack.